فهرست نشستها و سخنرانیهای همایش:
▪️NOV 18, 2021
– Finbarr Barry Flood
Circa 1873: Orientalism, Modernity and the Invention of the Bilderverbot
▪️NOV 19, 2021
▫️Welcome & Introduction
Sebastian Schütze, Lioba Theis, Markus Ritter
▫️Concepturalizing Islamic Art in Late Nineteenth-Century Art Historiography
– Eva-Maria Troelenberg
‘Purely Artistic Criteria’? On Islamic Art Historiography and its Categories in Alois Riegl’s Art History
– Iván Szántó
Vienna 1873 – Budapest 1896: Two decades of developing ‘Islamic art’ in Hungarian scholarship
▫️Exhibiting and Categorizing Islamic Art in the Fair (Sabiha Göloğlu)
– Nilay Özlü
The Sultan’s Treasury in Vienna: Ottoman Presence at the 1873 Vienna World’s Fair
– Mercedes Volait
Spolia in se at the Fair, 1867-1889: A Channel for Islamic Reuse in Nineteenth-Century Architecture and Furniture?
– Nancy Demerash-Fatemi
The Scramble of North Africa: Geopolitics, ‘Bedouin Style’ and Islamic Art at the Tunisian and Moroccan Exhibits of the 1873 Wiener Weltausstellung
▫️Mediating Art Through Photography (Yuka Kadoi)
– Franziska Niemand
Architecture through the Lens of the Vienna Photographers Association: A Case Study of Glass Plaster Windows at the Egyptian and Ottoman Pavilions
– Erin Hyde Nolan
Expanding Photographic Authorship: The Remaking of the Elbise-i Osmaniyye After 1873
▫️Staging Art in ‘Oriental’ Historicism and Self-Representation (Lukas Nickel)
– Ahmet Ersoy
The Unsullied and the Bastard: Ottoman Things at the Prater
– Maryam Heydardhani
Mirroring Persia’s Aura in Vienna’s World Fair: Tracing Agents, Planners and Architectural Features in the Pavilion of Iran
– Ahmed Wahby
An Opera House in Cairo and a Mamluk Pavilion in Vienna: Egypt’s Architectury Duality towards the End of the Nineteenth Century
▪️NOV 20, 2021
▫️Commercial Trajectories for Collecting and Studying Islamic Art (Kerstin Jobst)
– Elahe Helbig
Collecting, Exhibiting, and Mediating Arts and Textiles from ‘Persia’: The Ziegler & Co. and its Role at the Vienna World’s Fair
– Barbara Karl
Symmetric / Asymmetric: Economics and Scholarship in the Context of the Carpet Exhibition at the k.k. Handelsmuseum
▫️Islamic Art as a Model: Reception and Study in European Art Industries and Arts
– Gwendolyn Collaço
Commemorating Triumph at the 1873 World’s Fair in Mamluk-Revival Glass
– Ibolya Gerelyes
‘Saracen’ Influences on the Products of the Zsolnay Ceramic Factory, Pécs
– Mirjam Rajner
Maurycy Gottlieb at the 1873 Vienna World’s Fair: A Polish Jewish Artist in Search of an Oriental Identity
▫️Disseminating the Fair’s ‘Orient’ (Yavuz Köse)
– Ceren Göğüş
The Re-Representation of the Orient: An Inspection of Austrian Printed Press During the 1873 Vienna World’s Fair
– Federica Broilo
Arabian Nights on the Danube: The Ottoman Empire at the 1873 Vienna World’s Fair in the Words of the Italian Press
▫️Reception of Egyptian Islamic Architecture in Austro-Hungarian Historicism (Andreas Nierhaus)
– Maximilian Hartmuth
World’s Fairs as Stages and Instruments of Artistic Dissemination, Taste-Making, and Network-Building across the Christian-Muslim Divide
– Elke Pflugradt-Abdel Aziz
Works of Carl von Diebitsch as Part of the Franz Schmoranz Jr Legacy with Focus on the ‘Egyptische Baugruppe’ at the 1873 Vienna World’s Fair
– Péter T. Nagy
Beyond the Khedive’s Palace: Neo-Mamluk Architecture in Late Nineteenth-Century Budapest
اطلاعات بیشتر دربارۀ همایش: https://eiah1873.univie.ac.at/